Pirates, Oxford and peril

A little news to impart and a few snippets to report but lest I have given you the impression that my entire reading time is spent in the imagined worlds of fine fiction or in the worthy immersion of brain improving non-fiction, I thought I’d open with a departure from the norm.

I’ve been captivated of late by the rise in piracy off the coast of the horn of Africa. Was I alone in being amazed by the news images some months ago of a ransom payment, where a briefcase full of cash was placed in a waterproof container and dropped by parachute onto the deck of a hijacked vessel? Was this week’s story, still unravelling daily, of the first American vessel to be hijacked in 200 years as it took food aid to Africa’s East coast from Djibouti, of the crew taking control back from the pirate crew but the Captain himself being taken off the vessel as security, as American destroyers steam to the scene, not the most compelling news story of recent months? I thought so and wanting to dig a little further found my way onto the International Chamber of Commerce’s website. Not only is there a map of recent piratical events on it but also a rather fascinating document entitled “Best Management Practices to Deter Piracy in the Gulf of Aden and off the Coast of Somalia”. It makes for extraordinary reading, giving vessel masters a “how to” guide to maximise prevention of attack and a step-by-step manual on what to do in the event of being boarded. Its calm professional language belies the sense of fear and panic that must attend such an event and serves as a reminder to land-lubbers of the self-reliance and grit that modern sailors bring to their work, on which we are reliant for so many of the foodstuffs and goods that fill our shelves.

On other, less dangerous, fronts, I spent last week at the Sunday Times Oxford Literary Festival, waking each morning to the glorious honeyed architecture of Christ Church College. It is a beautiful place to spend time, its old thick walls as calming and inspirational to a creative mind as they are resistant to a wi-fi signal.

There were more high spots than a few words here can cover but which include breakfasting each morning with Joanne Harris in the Great Hall – formally the seat of Parliament, now immortalised in the Harry Potter films, interviewing John Calder who published William Burroughs, Hubert Selby Jnr and Henry Miller and in defending the right to do so was the first to hire a young John Mortimer whose successful defence made him the darling of those who fought for freedoms of speech and publishing and led to him later defending the famous Oz trial. John M was meant to be interviewing John C himself but his death last Christmas Eve created a vacancy I was honoured to fill. Indeed I believe I was one of – if not the – last people to interview John Mortimer, which gave me a sense of pride and the event a certain circularity. Calder published so much of Samuel Beckett’s work and another connection was made when Joanne Harris told me one morning of a walk in Montparnasse cemetery when she and her husband chanced upon a funeral in progress. They waited until the few mourners had moved away before approaching the grave only to find that it was the interment of Beckett that they had just witnessed.

Interviewing Dame Ann Leslie, doyen of the Daily Mail for over forty years, was all that one might expect from one who has witnessed first hand the great world events of the latter part of the twentieth century. Meeting Willie Harcourt Cooze, he of the chocolate factory TV programme and the brother of a beautiful girl I was entranced by twenty years ago, was an unexpected pleasure as was interviewing Rory McGrath, a more gentle and evolved man than his television persona might lead you to believe.

Much fun and many good conversations were had at the various lunches and dinners with Andrew Holgate, literary editor of the Sunday Times and perhaps the hardest working sponsor of any literary festival I’m aware of and Sally Dunsmore, the festival director who is possessed of a preternatural calm and grace that belies her sleeplessness and work rate. It is an excellent festival that if you haven’t yet attended should be added to next year’s diary.

During the course of the week The Lady magazine published its relaunch issue and in doing so shed its Miss Havisham image to reveal a rather fetching Estella. It also announced a new literary editor who over the course of the next few weeks and months will add to the improved editorial with book recommendations, a book club and various other literary events and opinions. Watch this space.

One final joy from Oxford was sharing a stage with two rather extraordinary men, David and James Livingston, who in April 2003 both competed in the Oxford-Cambridge University Boat Race. Not the first time that siblings had done so of course, but the first time in more than a century that they had done so on opposing teams. It was, like the John Calder event, not a full house, but the intimacy of a smaller crowd made for an extraordinary event, both the brothers giving frank and often painful accounts of the bittersweet rivalry of the race and the cost to their relationship. Their father, sitting proudly in the audience, responded generously to questions from me and gave the hour a piquancy that is rarely achieved at a live event.

Whilst not the open ocean, the Thames has been the location for much bravery, heartache and human drama and so I’ll close with thoughts for those in peril on the sea.

Yours truly,

LibraDoodle.

Hail, The Lady and Private Eye.

A week of literary socialising has left me shivery of limb and sniffing of nose and taught me that March weather in London is not to be trusted. It hailed on me yesterday afternoon in Covent Garden, hailstones that were large enough to hurt on impact, sent people scattering into doorways for shelter and shattered onto the roads and pavements like little, glassy grenades.

Tuesday marked the putting to bed of the beautiful new re-launch of The Lady magazine as the longest continuously published magazine for women has for the past few months been undergoing a quiet facelift. No longer the rather dated, monochrome-dominated source of adverts for household staff, its renaissance sees a glorious, full colour magazine with some rather good editorial hit the newsstands on Monday the 31^st. It will still be the source of choice for quality nannies, drivers, cooks, cleaners, holiday cottages and the like, a sort of Fortnum and Mason for domestic and catering staff, but now boasts a more modern, sleeker image, some great, interesting new writing (I must here confess that I will be the author of some of its content) and an overall look that brings it right up to date.

A family owned business, the Great Grandfather of the current publisher established the title in 1885 as a weekly periodical for gentlewomen, having already founded Vanity Fair for gentlemen in 1868. It still holds the same values of tradition, quality, manners, politeness and grace that have always been its watchwords but now does so in a manner more fitting for the twenty first century.

If you haven’t picked a copy up in the past few years then do have a look. You’ll be pleasantly surprised at the changes and the content.

On Wednesday I had the rare honour of being lunched by Private Eye. Ian Hislop, the editor, who very kindly graced the microphones at Oneword Radio on a number of occasions, was in Dubai at the Emirate Airline International Festival of Literature with his wife Victoria, author of The Island, and as we sat chatting by the pool was so horrified to hear that since the demise of the radio station I have been unemployed that he invited me to lunch to discuss possibilities. On returning to the UK three weeks ago an invitation was extended, although sadly not to me but to another of the same name, a motorcycle journalist, who on arrival announced himself to the gathered throng only to be told by Ian and Francis Wheen “no you’re not!” The confusion having been explained he duly tucked into the Eye’s generous hospitality, as of course he should. So it was, two weeks later than planned, that I pitched up at the Soho landmark venue and enjoyed a rather good fish and chip lunch with a fine selection of bright and erudite representatives of the worlds of letters, law, broadcasting and thinking. There was much talk of the parlous state of the British press, how print journalism is being hammered by the free content available on the net, how good investigative journalism is suffering and suchlike. There was talk of the state of Dubai, of freedom of speech and of the law. It was all that one might wish of a lunch with luminaries.

An unexpected pleasure was meeting an old friend, a rather good BBC journalist and writer, who I was at school with and as I sat at the table I wondered what our rural childhood selves would have made of it if told that a quarter of a century later we would be having lunch with movers, shakers and household names.

Ian was on fine form as our host and as he, the well-known daughter of a major literary family and damn fine author in her own right and I were nattering away, an image kept popping into my mind which I hope he won’t mind me telling you. Whilst we were all in Dubai, he heard about a water park that boasted a magnificent flume, or water slide, and came over all excited. Sadly I was working too damn hard and couldn’t indulge but I heard tell that he, Anthony Horowitz –author of the Alex Rider series and good man - and Louis de Bernieres all packed their Speedos and went off on a boys outing to flume with impunity. I wish I’d been there, I’d like to have seen those three men of letters giggling their way down a huge water flume, hell I wish I’d been able make up the four.

I leave you with that rather glorious image and as the rain continues to batter the poor daffodils in the garden into submission I say “Hail" to The Lady, “Hail" to Private Eye and “Hail” to Mr Hislop for a fine lunch and for a very kind and well received offer of hope.

Yours,

LibraDoodle.

The American Scholar ~ Of Love and Letters.

I seem to have fallen in love.

As Spring blooms forth with dazzling displays of daffodils and crocuses and as even the cynanothis tree at the end of the garden becomes more blue-tinged by the day, the sap rises and a single man’s heart turns to matters of amorous adoration.

In my case this affair d’amour is not with a human or indeed any other life form, but with a publication, a rather special periodical that I’m ashamed to confess I’ve only recently discovered.

I owe this burgeoning love to Peter Stothard, editor of the Times Literary Supplement, who in a piece he wrote in January under the title “A pencil box of bees” drew my attention to a delightfully wistful memoir by Professor Steven Isenberg in which he recalled four lunches of his early adulthood, each with a great man of letters: Larkin, Auden, Empson and Forster. Isenberg’s wonderful piece was entitled “Lunching on Olympus” and as I read it I was transported to his front row seat in the theatre of luminaries. It is a beautiful piece of writing, as one might expect from Professor Isenberg, a vividly remembered recollection of a young man’s sense of being not quite up to the task of reciprocating the generosity of insight and intellect that his lunch partners offered. In his case the sense is of course unfounded, but it reminded me of the years I spent in a radio studio interviewing my own literary heroes and fearing that however diligently I had read their work, however hard I had thought about their meaning, I would never quite be able to do justice to the time that I was able to spend with them. It is a sense I still have every time I mount the steps up to a stage in order to interview or be ‘in conversation with’ an author at those literary festivals that will have me.

So exercised was I by this thought that I wrote a brief letter to the editor of The American Scholar, more as an exercise than with the intention of sending it, but merely to nail the emotion, the sense of not being good enough. Foolishly I then emailed the publication to congratulate them on publishing ‘Lunching on Olympus’ and more in haste than consideration included some of the lines from the letter as part of the email.

Remarkably the associate editor replied and wondered whether they might publish part of the text in the letters page and in the ensuing e-conversation kindly agreed to send me some back copies of TAS.

The anticipation of waiting for them was more acute than any I have know for some time, like waiting for a phone-call from a lover or for a reply to a billet doux. When they slid through the letter box, wrapped in that curious shade of yellow/orange envelope that is peculiar to North America, I resisted the urge to tear at the package, instead finding a letter opener and somewhat formally teased the flap open, slowly revealing the contents before sliding them gently out to lie in all their beauty on my desk. I have treated lovers with less regard. Dresses have been cursorily cast to the floor in more frenziedly impatient haste to reveal their contents. But this was different. This was textual, not sexual.

And so began the love affair that I am currently enjoying, that has consumed me as all good affairs should. I have read articles on torture and dictators, on the best westerns, on the story of John Wilkes Booth. I have read about Cy Twombly in Paris and a superb piece on why black Americans need a new story, a piece that was published long before Obama was elected President. And in the course of this reading I have fallen in love with the size and shape of The American Scholar. I love its typeface and its quietly worn intelligence. I love the fact that Einstein, Bellow, Didion and Sagan all wrote pieces for it, that in 2006 they published fiction by Alice Munro, Louis Begley and Anne Beattie. I love the fact that its title is drawn from the Ralph Waldo Emerson speech to the Phi Delta Kappa society at Harvard in 1837 and that it has stayed true to its ideals of self-knowledge, independent thinking and a commitment to science, arts, books, history and world affairs. I can’t help but feel that Socrates would have loved it too. He’d probably have edited it given the chance and a sizeable tear in the lacework of time. But even he wouldn’t have been able to improve it, because it is perfect as it is.

I am therefore slightly ashamed that my letter was published. I feel that I have somehow sneaked in under the wire, in the same way that I‘ve assumed past girlfriends have lowered their normal standards and I have just been very lucky. The feeling that I’m not quite up to the task whispering to me all over again, a little demon on my shoulder saying “look what you’ve done, you’ve spoiled it now.” But I’m also honoured to have had a little contribution immortalised in such august company.

In a reply to Peter Stothard’s piece a correspondent reprised Larkin’s line that “depression is to me what daffodils were to Wordsworth” and as I look at their nodding heads at the end of the garden I can but agree with the old song; that love is indeed a many splendoured thing. An American Scholarly thing too.

Yours,

LibraDoodle.

The Orange Prize for Fiction 2009

Another year and another Orange Prize for Fiction longlist, but my what a diverse and fascinating one which mirrors the great panel of judges for this year’s shop window on the very best of writing by women.

Chaired by Fi Glover, the four judges Bidisha, Sarah Churchwell, Kira Cochrane and Martha Lane-Fox have done the prize proud with 20 works by authors that include a Nobel Laureate, a 63-year-old newcomer and the ever-fascinating, eminently readable Kamila Shamsie. In Dubai recently I was chatting with the prize’s co-founder Kate Mosse (LibraDoodle passim) who told me that a nicer panel of literary judges it would be harder to find and that her hopes for a great list were high.

You can read the full list and details of each of the books here but my first impression is that the range of styles, ages and modes of writing contained within this year’s list really cuts to the heart of what the Orange prize, now in its second decade, was set up for. It seems odd now to think that there was a time when the considerable talent and achievement of women’s critical views and writing was overlooked by other prizes and the Orange has been at the forefront of changing this. So much so that they seem to have dropped the "for Women's Fiction" part of the prize's title which I'm sure was there in the early days. Progress indeed. If you want to really know what women are thinking about, writing about and what is exercising them then you could do far worse than read the entirety of the longlist. I will and I sincerely hope you will too, as this year it includes works from Australia, the USA, Ireland, Malaysia, Pakistan and Canada as well as the UK possibly making it the most international longlist that the Orange has yet fielded.

Fi Glover has said that “all the books on the long list are there because each one, in its own way, is terrific in its ambition, quality and simple ability to entertain.” Hurrah to that, for many of the authors on the list are some of the best storytellers of our time, irrespective of gender.

I don’t envy the panel the next phase; how the hell they pick one winner from such a brilliant field is beyond me, but I congratulate them on a superbly rich showing so far and wish them luck for the next stage. I hope that the niceness that Kate Mosse mentioned endures!

Yours,

LibraDoodle

Huddersfield, famille Harris and hope.

Forgive the mild rant of the earlier post, it’s unlike me to speak ill of anyone or anything, but in this instance I found myself so exercised by the casual rudeness I had to make an exception.

Much happier ground has been walked over the past week. A trip to Southampton to host the third annual Southampton Litfest, a collaboration between the Hay organisation, Southampton University and local schools that sees hundreds of local 12-13 year olds turning up at the University’s rather smart Nuffield theatre for a day of literary fun.

Previous years guest have included fantastic performances by Lemn Sissay, the ever-brilliant Michael Morpurgo and wonderful Valerie Bloom, whose quiet, calm demeanour offstage belies the power of her performances on stage. This year the guests were Guardian Children’s fiction prize winner Jenny Valentine and the Roderick Gordon and Brian Williams, the writing duo behind the bestselling Deeper, Tunnels and Freefall which is due for publication about… now.

It was a fun day and one I always enjoy, but also a tough gig as I’m neither there in an authorial capacity nor am I famous so often wonder if the audience knows what I’m there for. My task, as I see it, is to act as MC and warm the children up for the main acts. This year I taught them the first verse of Nkosi Sikelel' iAfrika and got them to laugh at me as I did the Haka – the New Zealand All Black rugby team version, Ka Mate - and explained the story behind it. Much fun.

We stay at a local Hilton Hotel, not as smart as you might imagine, as it’s rather a tired outpost of the Hilton Empire, but one that showed me that there’s something even more depressing than a Corby trouser press in your room... a tired, old Corby trouser press with all the knobs removed and rubbish stuck in the bit where one’s trouser would normally go. I did wonder for a brief moment if it was some form of installation art, but only for the briefest of moments.

This past weekend saw a different slice of life as I trained up to Huddersfield to spend the weekend with Joanne Harris and her family and to be ‘in conversation’ with Joanne as part of the Huddersfield Literature Festival. A few years ago, at the Knightsbridge launch of one of Joanne’s cook books for which she gives all the proceeds to various charities, I felt moved enough to celebrate her launch by buying her some ‘Provencal’ style side plates featuring an anchovy design and I felt honoured to be invited to the house where they reside.

Joanne and her husband and daughter have a lovely home and made me feel extraordinarily welcome. Their garden is a wonderful few acres of lawn, paddock, woodland and a Japanese inspired area complete with pond, waterfall and stream that put me in mind of the various areas of Holland Park in London (see LibraDoodle passim). Waking at dawn in my room on Sunday morning to a chorus of dove, pigeon, magpie and the football rattle call of a highly vocal mistle thrush was as much of a treat as sitting at the wooden refectory table in Joanne’s powder-blue themed kitchen eating croissants and talking about writing, inspiration and stories. I hope that she won’t mind if I tell you a little known fact about her… she doesn’t like chocolate. Who’d have thought? The event on Saturday night was notable for the warmth of the audience and for Jo’s reading of my favourite of her short stories, Hope and Faith go Shopping, taken from her collection Jigs and Reels. It’s such a heart-warming story and when it was read by Joanne gave me quite a lump in my throat. On leaving, Jo very kindly gave me a copy of Lollipop Shoes which if you haven’t yet read I can highly recommend; a very clever and engaging revisiting of the Vianne and Anouk characters in Chocolat. If you ever meet Jo and can get her to talk about having Juliette Binoche as a houseguest and what the filming of Chocolat was like then do, it’s a great tale, but not one for me to tell.

Back in Mortlake, Spring seems to finally have arrived and the smell of new mown grass wafts through my open window as I write, ameliorating the gloom of credit crunch job-seeking. Bring on the songbirds say I.

Yours,

LibraDoodle

Job Applications and how to fail them - A tale of an uneven playing field.

Still shaking the sand out of my soul from Dubai – curious how such a few days can be so very affecting – life back in the UK has regained some equilibrium as the past twelve months of bleak hopelessness gives way to increasing invitations to chair events at literary festivals, speak at gatherings and write.

You will by now know that my application to be the Artistic Director of the Bath Literature Festival was politely declined and that the successful applicant was none other than James Runcie, a delightful man and fine writer who will doubtless work his magic for Bath. I first met him when I interviewed him on Oneword Radio for his non-fiction work The Colour of Heaven that I recently re-read and loved all over again. Its telling of the discovery of lapis lazuli in the hills of Afghanistan and the effect that it had as a pigment in Renaissance paintings, giving rise to greater use of perspective, is a triumph of research and great story-telling. Very good luck James and here’s to a fine future for you and for Bath.

The other post I applied for having lost out on Bath will remain nameless in order that I can say the following.

The email of rejection was as cursorily insensitive as it was troublingly wrong.

I was told that my application was declined as during the interview “…the team felt that you didn't quite understand the idea and principals (sic) as outlined in the supporting material.”

A fine reason for being told ‘no’, or at least it would be had I actually been sent the ‘supporting material.”

So I asked them, “what supporting material?”

Their crab-appley response was, “The Business Plan was only sent to those applicants that came back having received the initial pack, to ask further questions by way of research. It was not sent to every applicant we saw at interview.”

Oh that’s fine then. That despite asking for all the relevant information to be sent to me, it seems that some applicants were given more information than others. Does that seem fair to you? You can guess how I feel, I'm sure. Exactly. Like a one-legged footballer in a boxing ring. Bruised and handicapped.

Then to be told, “Your application had strong drama training and education emphasis (sic) which are not relevant to the post.” would equally have been fine and perfectly acceptable had my application actually had such an emphasis. It didn’t. I told them.

“Did they mean these comments for another applicant?” I asked them, by now less incredulous than I would normally have been.

They responded, “The remark about education and drama training was made in error and I sincerely apologise for that.”

I make no apology for being cross, no scratch that, really, very cross about this. Putting oneself up for posts requires thought, research, carefully worded letters of application and CV’s and isn’t done to pass the time of day, but is done in full seriousness, with contemplation and analysis aplenty. Presenting oneself for interview is a time-consuming, stressful affair – and that’s just if you’re doing it right – to be made to feel that you’re just making up numbers is appalling. To have one’s application declined is of course galling and hard, one only applies for posts that one wants to take on, feels that one can make a difference with. To be declined in such an appallingly amateur fashion is disrespectful at least and bloody rude at best. I tell you, if they were spending Government money on this travesty, I'd be... oh hold on.

I hope that you don't read this as the immoderate, sour-grape, rantings of the recently rejected. Whilst I'd be more than happy to oblige, that's not what I intend here. I've had enough rejection during my lifetime for it not to be an issue, sometimes the face fits, sometimes it doesn't. It's the risk one accepts when applying for anything. What I do expect though, is that those who have the onerous task of declining the advances of hopefuls, do so with grace and humanity and if they can't manage that, simple accuracy would be a good start. What they should avoid is po-faced patronisation and misattribution. It isn't too much to ask, is it? The fine burghers of Bath were courteous, professional and charming. The call telling me that they would not be taking me on left me feeling sorry for the fine fellow whose role it was to be the bearer of bad tidings. Talk about extremes of approach. Grrrrr.

Right, that’s my soul purged of sand and sourness so let us away to happier ground. Now where was it? Drat, I know I left it lying around here somewhere.

Yours,

LibraDoodle

The Emirate Airline International Festival of Literature

Now that the week is over and the intervening five days since my return from Dubai have served to filter my thoughts, to act as the prism through which I can see recent events, I can tell you about the EAIFL festival.

Those of you who follow such things will be aware of the pre-festival fuss about a book that its author and publisher claimed was banned by the festival organisers, claimed was censored because of its content, claimed was being suppressed. We now know that this was not the case. None of it. The publisher had submitted the book for consideration and as is the right of any festival organiser, the submission was declined. It happens all the time in festivals all over the world. But that was in September last year. It seems that the publisher held this information back until just prior to the festival in order to gain publicity for the work but in doing so has, I feel, won a Pyrrhic victory. There is it seems no suppressive force at work here. Indeed I understand that Magrudy’s, the bookshop chain run by the festival organiser, will be stocking the book. That was the fuss. Now for the festival. Because the true story is as far from one of suppression and censorship is it’s possible to be. The true story is of a well-organised, richly diverse festival that attracted extraordinary crowds of local nationals, expats of many nationalities, western and eastern, and visitors from the Gulf States and beyond.

This was the first such festival to be held in the region. It was an experiment borne out of an idea conceived by two extraordinary people, one a scion of a British literary family, the other a co-founder of a large, local book chain and I can honestly say I have never been to a festival quite like it.

Dubai is a city of cities. Within its bounds are the Healthcare city, the Sports city, the Business city, the Motor City and many more. We were based, of course, in the Festival city, a towering semicircle of two hotels joined by an events centre, a building that really put the arc into architecture. Set on the north shore of Dubai’s creek, it has walkways and promenades along the flowing water and looking out over a small harbour of luxury motoryachts. Across the water was either a breaking yard or repair wharf – I could never quite work out which - for old, rusting hulks. It has a helipad to service the gleaming helicopters that bring yacht owners to their crafts. Frequently. It has, along the shore, one of the many malls I mentioned in the previous post. It is, to be simple, a self contained city within a city with views eastward towards central Dubai’s extraordinary cityscape and for 5 days it was my home and my office.

The home part was a suite in the Intercontinental Hotel. A suite with all the facilities one might expect of a five star hotel. I didn’t know what to expect having rarely stayed in a five star hotel. It had a bed, tables and a desk of course, But it also had a wet room where turning the tap on for the bath activated a fountain which came from the ceiling. The shower created a veritable monsoon that drained through the heated slate floor. There was a huge plasma screen, an iPod station and carpeting that my feet sank into. It had a mini bar. A bar the size of a Mini. It was the swankiest suite I have ever stayed in and it was larger than some Chelsea flats that I’ve lived in. Needless to say I loved it but, being there to work, saw too little of it.

The office part was centred in the events part of the complex, huge rooms that were to be the venues for the many talks and discussions. EAIFL had attracted over 60 world-stage authors and I was to chair events with 5 of them a day. My first event was with Turki al Dahkil, Samuel Shimon and Shakir Noor and was held in the one venue that required a short walk outside the complex to an igloo. Yes, you read that correctly. An igloo. In Dubai. An aluminium geodesic dome covered in white and set at the end of a jetty in the creek. It became my favourite venue as it was impossible to enter it without a smile creeping onto my face. The event went well and half an hour after it finished I was back to chair Kate Adie, talking about her marvellous book “Into Danger”, an exploration into why those with properly dangerous jobs do them. We discussed bomb disposal experts, snake venom collectors and deep sea divers, all with Kate’s modest sang froid and great natural ability to tell a story.

Up to this point, my impressions were of a festival that was so well planned, so beautifully organised that it would have been the envy of many a more established lit-fest, indeed there were times in the igloo that my mind drifted Hay-wards and to how similar it all was.But it was in the next event that the difference hit home.

I was in one of the other venues, the Al Merkaz ballroom, in conversation with Anita Amirrezvani whose book “Blood of Flowers’ was long listed for last year’s Orange Prize. It is a rich tapestry of a story, really, as it tells of a 17^th century Persian peasant girl whose path to self discovery and redemption is through her ability, her talent, in rug making. We were discussing aspects of it when I noticed a group of seven women in the crowd who seemed to be paying slightly more intently focussed attention than the rest of the audience. When we came to questions from the floor I asked them where they had come from. They had come from Kuwait, they said, for this event. They were from Kuwait University with their professor and had raised funds to make the trip and attend, not as part of their studies – they were drama students – but because they loved the book. My heart soared.

As questions came from the floor I then noticed a young man sitting on his own in the front row who I sensed wanted to ask a question but was too shy to put his hand up. Just before I closed the event I asked if he would like to ask anything. He stood up and in a clear, loud and heavily accented voice asked “why there are no ‘potboilers’ from Iran” and ‘why no detective stories from Baghdad’. Anita hesitated and I asked if she would mind my answering. I asked him if he liked detective stories. I asked him where he was from. I asked him if he wrote. I then asked him if he understood where my questions were leading. He shook his head. I said that it is perhaps for him to be the first to write such works and that in years to come I hoped to see him up on the stage talking about them. He clapped his hands to his head, said, “Of course, I have been so stupid” and fled the venue, I imagine, I sincerely hope, to start writing!

There were many such moments of joy over the course of the next three days. It was a pleasure and an honour to be on stage with Frank McCourt, Kate Mosse, Andrey Kurkov, Louis de Bernieres, Karin Slaughter, all valued friends over the years, but it was a rarer pleasure to be so with Ibrahim al Koni, one of the best known of Arab writers, with the internationally acclaimed Iranian poet Fadhil al Azzawi, with the wonderful Mohammed Bennis and the delightful Adel Khuzam.

So what will I remember about this inaugural festival? What will the abiding memories be?

They will be of the Arabic poetry evening I hosted, perhaps one of the most taxing, nerve-wracking and unrehearsed but also enchanting and funny nights of my life, of going to the hotel terrace in the relative cool of the late evening and introducing the beautiful and gently intelligent Saudi author Rajaa Al Sanea and her sister Rasha to Kate Adie, Kate Mosse (whose blog is here) Brian Aldiss and his wife, Katy Guest and Claire Armitstead, Liz Thompson, Anthony Horowitz and his wife and then watching them all laugh and chat while drinking mint tea and Turkish coffee. Of listening to Kate Adie tell the funniest story I’ve heard in years and seeing those around the table weep with mirth. These will be some of the memories. There will also be the validation of the reason I agreed to go, to enter into the dialogue, to help build the bridges that we will need in the future if we are to make sense of and help repair this fractured global village, to embrace the differences and to mark the similarities, to help take yet more steps into the ocean of freedoms of speech and expression.

I was concerned that before I left for Dubai two journalists had been sentenced for writings they had posted on the internet, that for all our ability to talk, there were those whose voices were suppressed. I was concerned that in the hastily convened discussion on freedom of expression that they were not mentioned, while some western authors discussed self-censorship. I was angry that there was an elephant on the table and that some were not even acknowledging it, far less discussing it. It was our duty to do so I thought. It was I thought the reason we were there. I talked to a British journalist about it and her piece is here. I will remember this frustration as much as I will remember all the joys. But on my return to Britain I found this on the English PEN website:

“Shaikh Mohammed bin Rashid Al Maktoum, the emir of Dubai who is also it’s vice president and prime minister, has since decreed that no journalist should receive a prison sentence for press-related offences, and the journalists have all been released from jail.”

So along with meeting friends old and new, along with meeting someone who has changed my life, I will remember this, that talking does makes a difference, a very real difference to very real people. And that is what EAIFL was for, it is what it did and it is why I am proud to say “I was there.”

Yours,

LibraDoodle